Wow, what'd be a better excuse to blog after a long hiatus than to have the occassion of a Rajni blockbuster hit the silverscreens? Watched
Endhiran last night with family here in Sac, the first day of release at 3,000 theaters worldwide! For a late night show, my two girls (three if you add the wife) sat through more or less the entire movie, so the movie grabbed their attention you would presume. But isn't that what Rajni movies do to kids anyway?
In all honesty, regardless of how you see it,
Endhiran is indeed one literally mind-blowing brain-teaser of an unadulterated entertainment experience. First of all kudos to Shankar for directing a sci-fi theme at a level of technical splendor hitherto unseen in Indian cinema. The man's diligence and creativity is evident in every frame of the movie, and he has definitiely succeeded in reaching out to a broad multi-lingual audience on an esoteric theme, without (for the most part) compromising the intelligence of those tech-savvy movie-goers pampered by the proverbial hollywood-quality sci-fi movies. Shankar is definitely India's answer to James Cameron.
The underlying plot itself is pretty ordinary, and hinges on this well-known Frankenstein's monster story of the created-out-to-destroy-the-creator, with Rajni, the Scientist's, brain-child of a creation - a look-alike human android robot, with its newly-trained "emotion" capability, wanting to pursue his creator's lady-love and ultimately turning in to a monstrous villain of an unfathomable kind. The intriguing part is that Robot Rajni is in fact the hero of the movie for all practical purposes, not the scientist! Even more thrilling is the fact that when the Robot, after the bad red-chip gets planted in it, actually turns into the villain as well, and it is in this villain part that you see Rajni unleashing his classic mass-enthralling style of punchy dialogues and the stupendous body language that propelled him to a Superstar status in the first place. Rajni seems surreally comfortable with his villain demeanor, almost reminscent of the days he debuted in Tamil movies over 30 years ago!
Of course, the movie has that inevitable indulgence with the desi masala ingredient with two dream duet songs just to get Rajni fans see their
thalaivar dance with the ethereal beauty that is Mrs.Bacchan. Undeniably, some scenes seem like a slant imitation of older hollywood releases -
Terminator (Judgment Day) keeps coming to mind in several instances. How the Robot is brought back to life after the scientist dumps it in the garbage is not really explained convincingly either. The Robot's emotion programming also seems more like movie fantasy, rather than based on any scientific reference regards to such possibility. Why is a sexless Robot getting emotionally trained to "fall in love" with a woman, not a man? If you were a smart scientist would you not program your Robot to fall in love with yourself? Last, but not the least, does it not seem like this Robot arrived a little late, by say some 20 years, in this day and age where we talk about human clones, stem cell research, and biological warfare? Such criticisms, however, are trivial, and when you weigh in the movies' visual special effects grandeur that legitimately rival hollywood calibre, Shankar's smaller digressions are readily forgiven.
A pat on the back goes to Rajni Sir, for the amount of physical hard-work he must have put his almost 61-year old body to, be it from those eye-popping stunt scenes in the moving train, to the robotic dance moves besides Aiswarya Rai, to those slick villainous robot stunts through the climax. Yes, you can make a 60-year old look like a 20-year old, courtesy of the make-up specialist, but to get a 60-year old run and dance like a 20-year old? Indeed remarkable.
Rai does seduce us with her out-of-the-world beauty, but needless to say, some age is showing up on her pretty face these days. ARR has done the music score, did not find songs particularly remarkable, but perhaps some credit should go to his sound re-recording effects to reinforce the robotic theme. With about 160 crores (thankfully in rupees not dollars) shelled out from his pocket, you would not think Sun Pictures' Kalanidhi Maran became any poorer with this stellar business venture of his, a foray all set to reap box-office revenues worldwide.
What really blew my mind was the climax special-effects showing havoc wrecked by the villainous robot Rajni. You see not just one or two Rajnis here, but a duplicated army of robots perpetuated by the Robo Rajni. The mass colony of robot soldiers gang up to form all kinds of monstrous combinations - from a rolling giant machine-ball to a vertical machine-ladder reaching out to copters flying in the sky to a behemoth robot of robots walking the streets! Talk about a special-effects feast...
In all, a level of movie-making that has raised the bar for Indian cinema in terms of technical wizardry. Congrats to all involved, and especially my man Shankar. This act may be a difficult one to emulate, but do keep such movies coming...